{"id":10,"date":"2012-01-11T20:31:49","date_gmt":"2012-01-11T20:31:49","guid":{"rendered":"http:\/\/caritasavolainen.com\/?page_id=10"},"modified":"2025-05-29T16:44:31","modified_gmt":"2025-05-29T16:44:31","slug":"works","status":"publish","type":"page","link":"http:\/\/caritasavolainen.com\/?page_id=10","title":{"rendered":"<!--:en-->work  <!--:--><!--:fr-->travail <!--:--><!--:fi-->ty\u00f6<!--:-->"},"content":{"rendered":"<p><a href=\"http:\/\/caritasavolainen.com\/wp-content\/uploads\/2012\/01\/carita-savolainen-The-Song-of-the-Broken-Landscape-II-oil-140cm-x120cm-2016-Copie.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-546\" src=\"http:\/\/caritasavolainen.com\/wp-content\/uploads\/2012\/01\/carita-savolainen-The-Song-of-the-Broken-Landscape-II-oil-140cm-x120cm-2016-Copie.jpg\" alt=\"carita savolainen The Song of the Broken Landscape II, oil, 140cm x120cm, 2016 - Copie\" width=\"394\" height=\"336\" srcset=\"http:\/\/caritasavolainen.com\/wp-content\/uploads\/2012\/01\/carita-savolainen-The-Song-of-the-Broken-Landscape-II-oil-140cm-x120cm-2016-Copie.jpg 394w, http:\/\/caritasavolainen.com\/wp-content\/uploads\/2012\/01\/carita-savolainen-The-Song-of-the-Broken-Landscape-II-oil-140cm-x120cm-2016-Copie-300x255.jpg 300w\" sizes=\"auto, (max-width: 394px) 100vw, 394px\" \/><\/a><\/p>\n<p style=\"text-align: left;\">carita savolainen The Song of the Broken Landscape II, oil, 140cm x120cm, 2016<\/p>\n<p><!--:en--><\/p>\n<h2><span style=\"color: #993300;\">Approach<\/span><\/h2>\n<p><span style=\"color: #333333;\">The main theme underlying my work has been the human being in his environment, his identity in different cultural settings&nbsp;: individual memory and its transmission, distance in time and place, feelings and perceptions.<\/span><\/p>\n<p><span style=\"color: #333333;\">I have been handling these thematic in two different ways, mainly<\/span><\/p>\n<p><span style=\"color: #333333;\">1) Using chosen specific groups of people, or certain individuals belonging to a particular situation, who then take part in the project. Various techniques and forms of installation can be used, e.g.: photography, photographical objects, sound and recordings, video, text, painting..<\/span><\/p>\n<p><span style=\"color: #333333;\">2) Using \u201ctraditional\u201d painting for certain aspects of this theme, notably relation and distance to the land. Here, I express my own relationship to landscape, my past and my personal sensitive memory.<\/span><\/p>\n<p><span style=\"color: #333333;\"> <a href=\"_wp_link_placeholder\" data-wplink-edit=\"true\">https:\/\/www.youtube.com\/watch?v=Oh6o_4GjgiA<\/a><\/span><\/p>\n<p><!--:--><!--:fr--><\/p>\n<h2><span style=\"color: #993300;\">Approche<\/span><\/h2>\n<p><span style=\"color: #333333;\">Le th\u00e8me principal qui sous-tend mon travail depuis des ann\u00e9es a \u00e9t\u00e9 l&#8217;\u00eatre humain dans son environnement, son identit\u00e9 dans des contextes culturels diff\u00e9rents : la m\u00e9moire individuelle et sa transmission, la distance dans le temps et le lieu, les sentiments et les perceptions.<\/span><\/p>\n<p><span style=\"color: #333333;\">Dans mon travail je traite des aspects divers de ces th\u00e8mes principalement de deux fa\u00e7ons :<\/span><\/p>\n<p><span style=\"color: #333333;\">1) En utilisant l\u2019installation dans la quelle j\u2019int\u00e8gre des enregistrements de groupes sp\u00e9cifiques de personnes, ou certains individus appartenant \u00e0 une situation particuli\u00e8re qui ensuite vont prendre part au projet. Diverses techniques et les formes d\u2019expression peuvent \u00eatre utilis\u00e9es et int\u00e9gr\u00e9s dans une de mes installations , par exemple: la photographie, des objets photographiques, des enregistrements sonores et vid\u00e9o, texte, peinture ..<\/span><\/p>\n<p><span style=\"color: #333333;\">2) En utilisant la peinture et le dessin pour en traiter certains aspects , notamment la relation et la distance \u00e0 la terre. Ici, je tiens \u00e0 exprimer ma propre relation au paysage, \u00e0 mon pass\u00e9 et ma m\u00e9moire personnelle sensible.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"entretien Carita Savolainen - galerie My Art Goes Boom\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Oh6o_4GjgiA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><!--:--><!--:fi--><\/p>\n<h2>Approach<\/h2>\n<p>The main theme underlying my work has been the human being in his environment, his identity in different cultural settings&nbsp;: individual memory and its transmission, distance in time and place, feelings and perceptions. I have been handling these thematic in two different ways, mainly:<br \/>\n1) Using chosen specific groups of people, or certain individuals belonging to a particular situation, who then take part in the project. Various techniques and forms of installation can be used, e.g.: photography, photographical objects, sound and recordings, video, text, painting..<br \/>\n2) Using \u201ctraditional\u201d painting for certain aspects of this theme, notably relation and distance to the land. Here, I express my own relationship to landscape, my past and my personal sensitive memory.<\/p>\n<p><iframe loading=\"lazy\" title=\"entretien Carita Savolainen - galerie My Art Goes Boom\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Oh6o_4GjgiA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>carita savolainen The Song of the Broken Landscape II, oil, 140cm x120cm, 2016 Approach The main theme underlying my work has been the human being in his environment, his identity in different cultural settings&nbsp;: individual memory and its transmission, distance in time and place, feelings and perceptions. I have been handling these thematic in two [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-10","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/caritasavolainen.com\/index.php?rest_route=\/wp\/v2\/pages\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/caritasavolainen.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/caritasavolainen.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/caritasavolainen.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/caritasavolainen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10"}],"version-history":[{"count":30,"href":"http:\/\/caritasavolainen.com\/index.php?rest_route=\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":1215,"href":"http:\/\/caritasavolainen.com\/index.php?rest_route=\/wp\/v2\/pages\/10\/revisions\/1215"}],"wp:attachment":[{"href":"http:\/\/caritasavolainen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}